Although short, it drives home a deep point and meaning. Kennedy, at whose inauguration the poet delivered a poem, said, "He has bequeathed his nation a body of imperishable verse from which Americans will forever gain joy and understanding.
While in England, Frost also established a friendship with the poet Ezra Poundwho helped to promote and publish his work. What lies ahead is never stated overtly, but it is inarguably present by implication. Robert Frost states in the very first stanza this point. Human youth, by implication, is followed by maturity, old age, and ultimately death.
The green leaf eventually turns brown and decays. Instead, this type of short poem usually tries to describe a single scene or develop a single idea with evocative finality.
The couple moved to England inafter they tried and failed at farming in New Hampshire. How characteristic of Frost that the personal origins of the poem—whatever they were—have been so magnificently transcended into a universal vision of the human condition.
The poem must be tightly constructed but not so rigidly that its effect feels forced or predetermined. In terms of the opening lines, thought, youth and beauty are fleeting indeed.
No word is longer than two syllables. The form, however, also differs from the sonnet because it does not strive for the complex argument of contrast and resolution so famously found in the fourteen line paradigm. This is the main point of the poem and is shown consistently throughout the eight lines.
This period of blossom, however, is very brief. Frost would eventually garner the prize four times—still the record for any American poet. Summer is succeeded by fall and winter. Kennedy, and Robert Frost. A branch might blossom for only a week but the resulting leaves last for months.
The meter is slightly unusual for Frost—iambic trimeter a line with three strong stresses usually spread across six syllables. Notice his unusual repetition of the word leaf within the same short line.
Taken literally, the line suggests that the leaf was always intended to be only a green leaf, not a golden flower. Though his work is principally associated with the life and landscape of New England—and though he was a poet of traditional verse forms and metrics who remained steadfastly aloof from the poetic movements and fashions of his time—Frost is anything but merely a regional poet.
He became interested in reading and writing poetry during his high school years in Lawrence, enrolled at Dartmouth College in Hanover, New Hampshire, inand later at Harvard University in Boston, though he never earned a formal college degree.
Mortality is all around us and with it the stages of all life and time pass. Every line, every image must meaningfully contribute to the whole. Even in such a small poem he describes what would seem an eternity or an entire lifetime in eight simple lines.
The movement of the poem is both simple and richly evocative. Gold unabashedly becomes a symbol—a very traditional one—for the highest value and most radiant beauty. At this very moment is the ripe and prime age of things.
Only eight lines long, it consists of just forty words. Change is eminent and will happen to all living things. The poem is not explicitly autobiographical. The finest, most precious time in life generally passes in what could be the blink of an eye.
While birth and beginnings are an inevitable part of nature and life, most people do not see how quickly this beautiful and precious time passes. The golden moment, therefore, is all the more precious because it is transitory.
These poems also often have an emblematic quality—the images acquire a symbolic resonance and suggest broader meanings. It reaches for broader resonance than the merely personal. A successful epigram can contentedly proceed as mere verse—memorably turned metrical language—but this slightly longer form strives for the fullness of poetry.
If the flower lasted only an hour, the leaf, the poem suggests, survives for longer. Published when the author was forty-eight, New Hampshire was a diverse collection of longer narratives and satires mixed with short lyric poems, including several very brief works. The loss of Eden gave Adam and Eve mortality.“Nothing Gold Can Stay” is an overlying theme for Ponyboy, as he grows from a naïve boy to a tougher, more mature boy who still is kind and thoughtful.
Ponyboy is a better person at the end, and is no longer afraid and feels bad about being a greaser. "Nothing Gold Can Stay" is hard to describe in a nutshell, because, well, it's somewhat of a nutshell in itself.
It demonstrates one of the main reasons why its writer, Robert Frost, was able to create so many enduring poems: he had a knack for summing up the whole world in a few elegant little. Read this English Essay and over 88, other research documents.
Analysis of Robert Frost's “nothing Gold Can Stay”. Robert Frost has a fine talent for putting words into poetry. Words which are normally simplistic spur to life when /5(1). Essay Type: Poetry Analysis Nothing Gold Can Stay Nature’s first green is gold, Her hardest hue to hold.
Her early leaf’s a flower; “Nothing gold can stay.” This is the conclusion drawn from progressing meditation on early leaves in spring to the theological. “Nothing Gold Can Stay” is, in fact, the only poem in New Hampshire (out of forty-four pieces) that is written in the short trimeter line.
All of these stylistic features contribute to the poem’s expressive brevity and lyric compression. Free essay on Nothing Gold Can Stay Interpretation available totally free at killarney10mile.com, the largest free essay community.Download